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However, scripting is primarily an output solution, and it falls short of letting you manipulate all of a file’s content, such as text in titles.įor users of Adobe’s other graphics tools, After Effects 6.0 offers welcome cross-application functionality. In particular, there are many advanced options for automating output and some types of batch compositing.
#Is keylight 1.2 only available in after effects professional
The good news for producers is that the Professional edition of After Effects is now scriptable. (Apple’s Shake performs better on such behemoth projects, and like Discreet’s Combustion, it offers a tree-structure view of project elements that makes navigating huge projects easier.)īut this is one of the program’s few weaknesses. In this setting, After Effects’ interface, which puts all layers in one vertical stack, becomes unwieldy. High-end production work often involves hundreds of composited layers. Unfortunately, you have to convert type to outlines - breaking the link to the original text - before you can use type as a mask.
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It makes for fast work when an art director or a copy editor calls for a small type change in a complicated finished sequence. Effects are calculated without rendering text to a bitmap, so you can go wild animating transformations and effects and then simply double-click on the animated type to edit the text. The type tools really prove themselves in the nondestructive nature of effects applied to type. You can even add wiggles, which randomize type elements such as character size or even the characters themselves, for Matrix-style cascades of random letters. And you can layer multiple effects and ranges on a block of type, making different letters or words do different things simultaneously. By animating the range, you can have single letters fly onto the screen to form complete words, or make text appear on screen as if it were being typed. Our favorite new type feature, the Animation Range tool, lets you control the range of characters or words influenced by an effect. As with all features in After Effects, almost every parameter can be animated. You can click on a composition with the type tool and start typing directly into a new layer, or you can drag a box to define a text block’s boundaries. Type-creation tools in version 6.0 are like those in Illustrator they even give you control over kerning and other spacing. In previous versions, text creation and animation were appallingly poor, considering Adobe’s prowess in the typography world. The new type engine alone makes After Effects 6.0 a successful upgrade.